They ask me if I think of my future – have you ever thought of…? I tell them – I take a day a time And future as unknown with numerous unknowns and possibilities
I have stopped dreading the future Out of sheer shame It is a sheer privilege and luxury To be alive while many are dying or Being killed mercilessly
It is not just humans I am talking about Those are always the collateral Quid pro pro you see? No, no – not just life for life But life for land, minerals, rivers, seas and power
I also mean the other species, climate, air Trees, rivers, mountains, glaciers, Ponds, lakes, forests,.estuaries and wetlands The planet under the great threat The land sharks are on the loose They are worse than the sea ones
And they point out to their political masters Who they say have a cut They serve the greed, lust and perversity They point to you and me too Our flawed dreams and aspirations
We all want an immortal home In our mortal lives We pretend to do it For our future generations By killing theirs and rest others
We don’t know where the Owlets went Or the fledglings Or the big cats, elephants or the tiny ones When that wild fire raged Or the bombs dropped
Future? You ask… I don’t think it’s gonna be any different We would be perhaps hanging on the walls In lovely framed photos taken by best cameras Which would be vintage ones tomorrow
Those who will survive, will ask Like we often ask – Why no one acted to end the war? Or save the planet? And life on it? They would perhaps Live the tragic consequences Of our inactions
Being gone, is being free too Eventual absolute freedom From the degenerating bodies, ailments From the cells which start dying From the day we are born
Being free of the conscience Free of thoughts and guilt Not having to bear witness To ghastly progress Where we prefer algorithmic voice And intellect too
I want my plants and trees and rivers and nature to outlive me I want to dream of a future that will Breathe in gratitude And not curse their past where Everything was normalised and livestreamed
I just want the future to breathe I want possibilities of the future to exist While the present is hell bent on harming it Just for its own imagined ‘collective good’ For the collectives which are exclusive clubs Of the powerful, greedy and merciless
I know I don’t have a future One day dying cells will win over I know I will wrinkle and wither Just like my flowers and leaves There cannot be any other way
Perhaps I am already dead, so are you We watch it all live streamed Wildfires, melting glaciers, dead rivers, Erased forests and the lakes Bombs and deaths of the little ones
We still go out and buy those ACs Cars, new flats and their abundant lies We think we are part of the exclusive ‘collectives’, the chosen fittest species With exclusive passes To the grand party on the plundered land!!!
One of the traumatic memories that keeps coming back and has shaped me in many ways is appearance of this man in rags, with knotted hair, unbearable stench emanating from him, teeth all stained, barefoot at our garden door. I was out, as always, playing in the garden, when I heard someone knocking at the door and the moment I opened, there he was – a sheer horror to behold.
First I thought he was a beggar, asking for food and alms but he called out my mother’s nick name which only family circle of Bijapur knew. I ran inside to call her in shock as familiarity struck the moment I heard his voice. He was the man I didn’t like much since childhood as he always pinched my cheeks hard and teased me. He was always this flamboyant dark glass wearing wannabe hero kind.
Could it be him? My elder uncle who had gone missing after bringing down fortune and business built by my Nana? Questions were many and my heart was pounding till my mother came out and confirmed my doubt. I was hiding behind her and taking a sneak look at him in utter shock.
Now there was a moral dilemma – to let him in or not? My father was alway at his long distant job location. My mother instinctively wanted to slam door on his face with anger but then he started sobbing and pleading. Literally, the erstwhile angry young hero was begging for mercy and help.
My elder siblings were dispatched to send off couple of telegrams, one to my father to return immediately. He was given a bath, fresh clothes and a barber was called in to cut his locks. He was in a daze and looked almost lost. He didn’t even look into anyone’s eye. Like Kafka’s creature he seemed to have undergone metamorphosis – that’s what money, freedom and bad company does to a person, I was told. He was very ill and it was a daunting task to keep the room he was in sanitized and stench-free. Soon my Appa arrived and they took him to a renowned hospital.
What I got was only updates after that. His wife who he had abandoned had returned to his side to nurse him. His son was at his maternal home. My mother’s side was justifiably angry. This person had squandered off my Nana’s earnings, his antiques, personal museum, his honour and had disappeared leaving his mother and younger brother in penury. They had to sell off beautiful furnitures and move out with bare minimum essentials to a kind doctor’s garage-room – a move to one single room from a mansion must have been traumatic.
Well, coming back to our anti-hero. He needed rehabilitation and care. He was in hospital for months. He soon regained his charming persona and doctors who were treating him gave him a small job offer. In short his rehabilitation was a success.
They rented a small room in Ulhasnagar itself. Again, I was the only one who frequented it to meet my elder aunt. She too started working to make ends meet in a nearby hosiery factory(there was no dearth of those in Ulhasnagar). I went during day time to avoid meeting my uncle. I feared him, pitied him, but I still admired the way he was recovering. I understood he wasn’t trustworthy.
Maybe I admired his wife more than him. My mother, his wife – both could have turned him away or gone to the cops. They had legitimate grounds too – a case of cheating, fraud certainly. But grudgingly my Aai did what she could to help him recover and then told him straight – not to ever visit her. He kept the word. His wife was more magnanimous, she didn’t leave his side.
We left Ulhasnagar soon after. When I bid my Mami farewell, I couldn’t give her the forward address. He had not only been legally disowned long time back but emotionally disowned too.
I don’t know if he ever wanted to be in touch. I am told he is still in the same vocation attached with the hospital. I didn’t try to find him. He simply has strewn away parts of the puzzle I am trying to piece together – life of my Nana – his photographs, his antique collections. It all literally went up in the smoke and was downed with liquor I guess.
There has been a psychiatric diagnosis that explained partly why he indulged and couldn’t return home but one can’t deny the fact that he chose to indulge carelessly and irresponsibly. I often think, was it the tourists who came to visit Bijapur who gave him a reason to indulge and splurge? Was it a spin-off which Nana did not factor in?
It all happened long after Nana passed away, yet everyone I speak to, blames Nana for not being strict with his wayward son, lacking in business acumen etc. But then a creative photographer who followed Mahatma Gandhi around the country and was totally into conserving deccan cultural heritage, how could he be a full time watchful father?
Unfortunately, family wealth, heirloom and mental health of my mother and other family members never recovered. It remained an unprocessed trauma and we went on to inherit it partly.
I always considered alcohol and drugs as the true enemy. Though in social gatherings I did sip but fear always loomed large – what if ? That ragged man at the doorstep is still my most real worst nightmare.
Couple of years ago, I had taken a years break from work. I did many things which I wouldn’t have had liberty to do as a full time working teacher. One of things was – a week long course on History Of Indian Science hosted by Asiatic Society. Icing of the course (cake) was the grand finale – a theatre group called Mukhosh presented an anti-Superstition play – ‘Uncertainty of Principles’ ( ‘https://maddecadence.wordpress.com/2019/04/29/uncertainty-of-principles-a-brilliant-play-on-conflict-between-science-and-superstition/) in the historic auditorium of Asiatic Society. That’s when I first saw scientist duo Dr. Ayan Banerjee and Dr. Anindita Bhadra with their family on stage calling out superstition and astrologers through their brilliant play.
Having been a fan of playwrights like Brecht whose famous play on Galileo still gives me goosebumps, I felt a great sense of relief to see scientists reaching out to society to spread awareness, to open their blindfolds which has been put cunningly by those in power. That play was a grim reminder of work and sacrifice of stalwarts like Dr. Narendra Dabholkar and many others.
While there are quite a few professional theatre groups in Kolkata who are putting up incredibly brave shows to call out fascism, autocracy, highly critical of state and central governments but what makes Mukhosh a little different is that it is literally a small home grown theatre group, none of them are professional theatre persons but are rather well established names in their scientific academic circles and they really don’t have to do anything additional for the society – as we are often led to believe that scientific contribution is one of the most gratifying one to the society.
But we often ignore that modern scientists rarely dare to call out societal, religious and political wrongs like their glorious predecessors – Copernicus, Galileo and many others (whom they admire) did, as much is often at stake. Prof. Ayan Banerjee, Dr. Anindita Bhadra are carrying forward the brave legacy by staging dystopian truth as a dark comedy and making a call for scientific rationality of thought and action.
Their second play 2034 which was staged yesterday at Academy of Fine Arts on the eve of the anniversary of their theatre venture is truly a commentary on dystopian current times. Though the play backdrop is set for the year 2034, but I guess realities have accelerated fast beyond the expectation of the playwright.
It is a brilliantly scripted play about how an innocent magician couple’s famous stage act becomes their Achilles heel and they end up behind bars, framed to be anti-nationals by the fearful fascist government in power. I don’t want to give away the script but the way play unfolds as yet another show of the magician while breaking the fourth wall – involving the audience and ending in similar manner is quite innovative and engaging – making audience feel complicit and victim at the same time. It blurs the line between precarious predicament of protagonist and audience. Also, it ends on a mixed note as baton by legacy is passed on to the younger generation who are left to fend for themselves as society abandons them but the seed of creativity instilled by their parents holds a promise.
2034 addresses the important question as well – who are fearful ones here? We, the people of the government or is it really the other way around? Do fascists do what they do out of sheer mental fear psychosis – a fear of being called out and voted out of power? Are they so fearful that they wish to imprison any innocent who they feel is an perceptive, rational, gifted, thinking individual who can unmask their sinister blueprint? It also depicts how fear psychosis percolates when even neighbours, co-workers refuse to stand with the victims as media descends to hound them for the truth which has already been cleverly buried!
Kudos to Mukhosh, Ayan Banerjee, Anindita Bhadra and their family members for not fretting from holding the mirror to current times and calling out that ’emperor is truly naked and fearful’. Unfortunately, it is the audience/people of the republic which has been cleverly blinded.
Certain parts of the play did seem slow but I guess it was deliberate to build up the momentum for the end. Auditorium sound system needs a revamp. Academy of Fine Arts is undergoing renovations so one can hope they will improve infrastructure of the theatre as well.
Also, it was heartening to see many scientists and research scholars coming together to watch the play on a rainy saturday afternoon.
Looking forward for more such plays. These efforts truly are like proverbial straws of hope or silver linings – much required during current dark times which I guess will only become worse in future if we don’t act now.