Our Story

It is rather strange
How we get planted
In our own stories
Unintentionally

All characters
However likeable
Or unlikeable
Play their part

A hero
Could be an
An anti-hero
Or vice versa

Characters often
Become variable
Refusing to be
a constant

However chaotic
This drama of our life
We script it
Or it scripts us?

We get planted
Uprooted
Worshipped
And Cursed

For some we
Become breath
Toxic air
For others

Remembering
Forgetting
Othering
Dying

Ironically
We measure
Our lifetime
As Time and not Life

A Tale of Family Decadence

One of the traumatic memories that keeps coming back and has shaped me in many ways is appearance of this man in rags, with knotted hair, unbearable stench emanating from him, teeth all stained, barefoot at our garden door. I was out, as always, playing in the garden, when I heard someone knocking at the door and the moment I opened, there he was – a sheer horror to behold.

First I thought he was a beggar, asking for food and alms but he called out my mother’s nick name which only family circle of Bijapur knew. I ran inside to call her in shock as familiarity struck the moment I heard his voice. He was the man I didn’t like much since childhood as he always pinched my cheeks hard and teased me. He was always this flamboyant dark glass wearing wannabe hero kind.

Could it be him? My elder uncle who had gone missing after bringing down fortune and business built by my Nana? Questions were many and my heart was pounding till my mother came out and confirmed my doubt. I was hiding behind her and taking a sneak look at him in utter shock.

Now there was a moral dilemma – to let him in or not? My father was alway at his long distant job location. My mother instinctively wanted to slam door on his face with anger but then he started sobbing and pleading. Literally, the erstwhile angry young hero was begging for mercy and help.

My elder siblings were dispatched to send off couple of telegrams, one to my father to return immediately. He was given a bath, fresh clothes and a barber was called in to cut his locks. He was in a daze and looked almost lost. He didn’t even look into anyone’s eye. Like Kafka’s creature he seemed to have undergone metamorphosis – that’s what money, freedom and bad company does to a person, I was told. He was very ill and it was a daunting task to keep the room he was in sanitized and stench-free. Soon my Appa arrived and they took him to a renowned hospital.

What I got was only updates after that. His wife who he had abandoned had returned to his side to nurse him. His son was at his maternal home. My mother’s side was justifiably angry. This person had squandered off my Nana’s earnings, his antiques, personal museum, his honour and had disappeared leaving his mother and younger brother in penury. They had to sell off beautiful furnitures and move out with bare minimum essentials to a kind doctor’s garage-room – a move to one single room from a mansion must have been traumatic.

Well, coming back to our anti-hero. He needed rehabilitation and care. He was in hospital for months. He soon regained his charming persona and doctors who were treating him gave him a small job offer. In short his rehabilitation was a success.

They rented a small room in Ulhasnagar itself. Again, I was the only one who frequented it to meet my elder aunt. She too started working to make ends meet in a nearby hosiery factory(there was no dearth of those in Ulhasnagar). I went during day time to avoid meeting my uncle. I feared him, pitied him, but I still admired the way he was recovering. I understood he wasn’t trustworthy.

Maybe I admired his wife more than him. My mother, his wife – both could have turned him away or gone to the cops. They had legitimate grounds too – a case of cheating, fraud certainly. But grudgingly my Aai did what she could to help him recover and then told him straight – not to ever visit her. He kept the word. His wife was more magnanimous, she didn’t leave his side.

We left Ulhasnagar soon after. When I bid my Mami farewell, I couldn’t give her the forward address. He had not only been legally disowned long time back but emotionally disowned too.

I don’t know if he ever wanted to be in touch. I am told he is still in the same vocation attached with the hospital. I didn’t try to find him. He simply has strewn away parts of the puzzle I am trying to piece together – life of my Nana – his photographs, his antique collections. It all literally went up in the smoke and was downed with liquor I guess.

There has been a psychiatric diagnosis that explained partly why he indulged and couldn’t return home but one can’t deny the fact that he chose to indulge carelessly and irresponsibly. I often think, was it the tourists who came to visit Bijapur who gave him a reason to indulge and splurge? Was it a spin-off which Nana did not factor in?

It all happened long after Nana passed away, yet everyone I speak to, blames Nana for not being strict with his wayward son, lacking in business acumen etc. But then a creative photographer who followed Mahatma Gandhi around the country and was totally into conserving deccan cultural heritage, how could he be a full time watchful father?

Unfortunately, family wealth, heirloom and mental health of my mother and other family members never recovered. It remained an unprocessed trauma and we went on to inherit it partly.

I always considered alcohol and drugs as the true enemy. Though in social gatherings I did sip but fear always loomed large – what if ? That ragged man at the doorstep is still my most real worst nightmare.

Humanity

I see humanity cuddled on footpath
Dehydrated in summers
Shivering in winters
Tattered and battered
Seeking shelters

Oh, humanity, what a tender child
Staring with wide eyes!
Or at times a wrinkled face
With toothless grin
At times, a young girl
Bold and vulnerable

As we drive away
Avoiding the eye
And the sympathy
Humanity stares boldly
And walks away

We have our battles to wage
Days to face
And a future to create
Humanity has no place in it
We have learnt to look away

And Humanity?
Round the corner
Evil finds her and
scoops her in its arms
For it’s victory dance

We did not save her
Yet we lament
Triumph of evil
And death of Humanity

Evil did not kill humanity
It was our collective apathy!
We clinged to our survival
While our soul was killed!

Revisiting the Past

What looks like a wasteland
Exactly that’s where
My home stood
With a beautiful garden

I stare at that land
That unsold dirty plot
Not belonging to anyone
Yet belonging to all

It was once upon a time
guarded by a tall wall
The wall is also half gone
While rest is totally erased

The land is covered with grass
The same grass we despised
But yet picked the holier ones
For the offerings

Along with the garden and home
My people and trees are gone too
I can almost hear the voices
Which lived there

How was it all demolished?
Brick by brick?
Blow by blow?
Or was it natural decadence?

I guess, I came looking for her
That barefooted wild girl
Who ran to school and cycled,
Played and giggled in the garden

As I turn around,
I find her on the wall graffiti
A barefooted wild girl
With her back turned upon the world

Strangely the roads
Where I learnt
To walk, run and cycle
Have remained the same

Just like the stubborn grass
Memories are stubborn too
So are some friendships
And roads we return to

Happiness on Discount

Have we become junkies
Addicted to hope and joys
Rainbows and silver linings
All things positive decoys?

We proclaim that
It is just
A matter of choice –
To be or not to be

How does it matter
If conflicts rage
Or forests go ablaze?

How does it matter
If someone is killed
Or incarcerated
For our rights?

They know
We enjoy cheap thrills
And discounted happiness
With easy EMIs on sale

How does it matter
If we are told to teach
Wrong facts or hate
Or fiction?

As long as happiness is
Prime and insta-delivered
Does it matter
If the planet is under threat?

They know we are junkies
Addicted to hope and joys
Rainbows and silver linings
All things positive decoys

Gambling away a future
We won’t be a part of?
Doesn’t it seem easy, quick
And affordable?

Shame

Shame

Perhaps it is easy
To violate
A woman’s body
And soul
And then walk with
Head held high
It is all done
To teach a lesson
To create fear

Perhaps it is easy
To plunder the earth
To dig out all
That is worth
And then walk with
Head held high
It is all done
For a profit
To create wealth

Will Earth save itself?
What about women?
Bilkis Bano is silent
Our silence is more deafening

We will rage
For Earth, for Bilkis
Yet they will
Walk free
Reign free

That is how it is
Dont ask why?
It’s reign of the
Shameless and inhuman
Emperor after all parades
In full nakedness and glory

How does one teach shame
To shameless tyrants?

#BilkisBano

Labyrinth

Trapped in the Labyrinth

It is often impossible
To get out the labyrinth
For the simple reason
You don’t feel trapped

It doesn’t seem what it is
You keep going onwards
While the labyrinth’s design
Takes you backward

Blame it on the design
Or the divine
There is no way to know
That it is a trap

You go in circles
Thinking it’s taking you forward
But it’s a spiral descent
To nowhere or maybe hell

You are happy
With the clever deception
Who doesn’t like
Illusion of happiness?

Who needs justice and peace
Happiness and prosperity?
The grand illusion of it all
Is fine enough

Why risk it all?
For which end?
It’s an endless
Labyrinth

Fatigued, fogged
You are simply happy
Forward or backward or circles
How does it matter?

Soon lifetime will be served
Labyrinth will be inherited
Baton will be passed on
The game will go on…

Designers will blame the divine
Divine will be part of the design
Truth will become a beautiful lie
And all lies will seem truthful

It’s an endless labyrinth
We need to navigate
To keep going
To reach nowhere or maybe hell

2034 – A Play Rooted in Dystopian Present and Future

Couple of years ago, I had taken a years break from work. I did many things which I wouldn’t have had liberty to do as a full time working teacher. One of things was – a week long course on History Of Indian Science hosted by Asiatic Society. Icing of the course (cake) was the grand finale – a theatre group called Mukhosh presented an anti-Superstition play – ‘Uncertainty of Principles’ ( ‘https://maddecadence.wordpress.com/2019/04/29/uncertainty-of-principles-a-brilliant-play-on-conflict-between-science-and-superstition/) in the historic auditorium of Asiatic Society. That’s when I first saw scientist duo Dr. Ayan Banerjee and Dr. Anindita Bhadra with their family on stage calling out superstition and astrologers through their brilliant play. 

Having been a fan of playwrights like Brecht whose famous play on Galileo still gives me goosebumps, I felt a great sense of relief to see scientists reaching out to society to spread awareness, to open their blindfolds which has been put cunningly by those in power. That play was a grim reminder of work and sacrifice of stalwarts like Dr. Narendra Dabholkar and many others.

While there are quite a few professional theatre groups in Kolkata who are putting up incredibly brave shows to call out fascism, autocracy, highly critical of state and central governments but what makes Mukhosh a little different is that it is literally a small home grown theatre group, none of them are professional theatre persons but are rather well established names in their scientific academic circles and they really don’t have to do anything additional for the society – as we are often led to believe that scientific contribution is one of the most gratifying one to the society.

But we often ignore that modern scientists rarely dare to call out societal, religious and political wrongs like their glorious predecessors – Copernicus, Galileo and many others (whom they admire) did, as much is often at stake. Prof. Ayan Banerjee, Dr. Anindita Bhadra are carrying forward the brave legacy by staging dystopian truth as a dark comedy and making a call for scientific rationality of thought and action.

Their second play 2034 which was staged yesterday at Academy of Fine Arts on the eve of the anniversary of their theatre venture is truly a commentary on dystopian current times.  Though the play backdrop is set for the year 2034, but I guess realities have accelerated fast beyond the expectation of the playwright.

It is a brilliantly scripted play about how an innocent magician couple’s famous stage act becomes their Achilles heel and they end up behind bars, framed to be anti-nationals by the fearful fascist government in power. I don’t want to give away the script but the way play unfolds as yet another show of the magician while breaking the fourth wall – involving the audience and ending in similar manner is quite innovative and engaging – making audience feel complicit and victim at the same time. It blurs the line between precarious predicament of protagonist and audience. Also, it ends on a mixed note as baton by legacy is passed on to the younger generation who are left to fend for themselves as society abandons them but the seed of creativity instilled by their parents holds a promise.

2034 addresses the important question as well – who are fearful ones here? We, the people of the government or is it really the other way around? Do fascists do what they do out of sheer mental fear psychosis – a fear of being called out and voted out of power? Are they so fearful that they wish to imprison any innocent who they feel is an perceptive, rational, gifted, thinking individual who can unmask their sinister blueprint? It also depicts how fear psychosis percolates when even neighbours, co-workers refuse to stand with the victims as media descends to hound them for the truth which has already been cleverly buried!

Kudos to Mukhosh, Ayan Banerjee, Anindita Bhadra and their family members for not fretting from holding the mirror to current times and calling out that ’emperor is truly naked and fearful’. Unfortunately, it is the audience/people of the republic which has been cleverly blinded.

Certain parts of the play did seem slow but I guess it was deliberate to build up the momentum for the end. Auditorium sound system needs a revamp. Academy of Fine Arts is undergoing renovations so one can hope they will improve infrastructure of the theatre as well.

Also, it was heartening to see many scientists and research scholars coming together to watch the play on a rainy saturday afternoon.

Looking forward for more such plays. These efforts truly are like proverbial straws of hope or silver linings – much required during current dark times which I guess will only become worse in future if we don’t act now.