Storm

There bellows a strong wind
A storm arrives from strange lands
Just to irrevocably change
Everything that is and will be

Overnight it sweeps away
The cobwebs of Time
Changes the entire
Landscape of survival

There is no way to stop
The raging winds, tides
Lightning or the rains
No way to lock it all away

Change becomes eternal
Certainties uncertain
Life transforms
For better or worse

What remains same
Are dawns and the dusks
Motion of the planet
And yearnings of a heart

There is no going back
To recreate what it was
One that did not withstand
The winds and the storm

Yet condemned to hope
And dream
We sail our ships
Trusting oceans of Time

At the Edge of Life

She stood at the edge, constantly turning back. They should be here anytime soon, if they loved her. After all they had promised, they will look out for her and have her back at all times.

The train was late. She thought of walking a little ahead to get on the tracks in darkness to ensure the train didn’t miss her and nobody tried to save her. She kept glancing at the phone, hoping someone had deciphered her cryptic posts and reached out. Even one ‘like’ would be the last bit of straw that could save her.

Then she wondered what was the probability that anybody’s life would be affected if she stuck to her plan. She could imagine the indifference, smirk, shock, grief, regret and blame shifting that would follow. She could imagine a little conference, post her funeral, where everyone would say nice things about her, maybe words of regret too but they will absolve themselves for making her feel what she felt – a useless, harmful, attention seeking, selfish soul – which definitely she wasn’t. Or was she as they perceived her to be?

Just then a small toddler reached for her and grabbed her collar. She was wearing a red dress, it probably attracted the kid. She turned around and saw two curious eyes staring at her. She had always attracted young toddlers attention for some strange reason. The mother who was carrying the child was fatigued and bored. Obviously, since she didn’t pay attention when the child must have reached out to her. The toddler kept babbling as she stared at it with a blank expression.

Was this the sign or proverbial straw she was looking for? The mother looked at her and bluntly asked, “why are you staring? Can you hold her please till the train comes? I am dead tired, hungry and fed up. Why is she always hungry for food and attention? “

For a moment she wanted to refuse and walk away but the child by then was clinging to her. It was like life itself had embraced her and held her back.

She realised how flawed her logic was, that her toddler back home would eventually forget her. Probably there would be a nicer step-mother in his life. But what if that person thought motherhood and babbling of toddlers boring?

She looked at this young mother who was glancing at her phone least bothered that the child was clinging to a stranger. She looked up and said, “please help me. Hold her a bit, my arms are aching.” She had no choice but to hold the child. The young mother kept looking at the phone. The train was announced. She was in a new dilemma. But the child kept playing with her face and her hair. Instinctively, she too engaged playfully. They both giggled. The train was almost entering the station. She swiftly turned around and told the mother that she was not getting on to the train and handed the child back. The young lady stared back, “why are you even waiting on a crowded platform then? Are you here to receive someone?”

She didn’t know what to say. She just blurted that she didn’t have money for the train ticket and walked away – walked away from her suicidal thoughts. She was sweating, shaking with tears welled up in her eyes.

She walked back to her home. It was a long walk. Long enough to get control back on her emotions and her life. Long enough to realise that if a stranger could trust her, if she could show kindness to a stranger even at the breaking point then there is evidence that she wasn’t what everyone thought she was.

She also realised how flawed she was in thinking that anyone could replace her to be a mother to her kid back home. She needed to be strong to be someone’s support now. Back home, everything was as she had left including the smirk on her husband’s face, ” so you are back. I knew you lacked courage.” She went to her kid who was sleeping and touched it, only to realise the child had a high fever. She walked back and asked her husband why he hadn’t checked on the kid in the last couple of hours.

He again smirked and said something on the lines that he didn’t realise, couldn’t imagine, child didn’t cry, was doing very important work etc etc and since she had opted to be a housewife so it was primarily her job to check on him and not to wander off to kill herself.

She stared back in disbelief. She knew exactly whom to save her son from – pathological intellectuals and skeptics, insensitive folks so full of themselves – who will endlessly analyse, blame, shame and do everything except take responsibility and show love.

PS: A piece of fiction inspired by a spooky nightmare that woke me up.

A Tale of Family Decadence

One of the traumatic memories that keeps coming back and has shaped me in many ways is appearance of this man in rags, with knotted hair, unbearable stench emanating from him, teeth all stained, barefoot at our garden door. I was out, as always, playing in the garden, when I heard someone knocking at the door and the moment I opened, there he was – a sheer horror to behold.

First I thought he was a beggar, asking for food and alms but he called out my mother’s nick name which only family circle of Bijapur knew. I ran inside to call her in shock as familiarity struck the moment I heard his voice. He was the man I didn’t like much since childhood as he always pinched my cheeks hard and teased me. He was always this flamboyant dark glass wearing wannabe hero kind.

Could it be him? My elder uncle who had gone missing after bringing down fortune and business built by my Nana? Questions were many and my heart was pounding till my mother came out and confirmed my doubt. I was hiding behind her and taking a sneak look at him in utter shock.

Now there was a moral dilemma – to let him in or not? My father was alway at his long distant job location. My mother instinctively wanted to slam door on his face with anger but then he started sobbing and pleading. Literally, the erstwhile angry young hero was begging for mercy and help.

My elder siblings were dispatched to send off couple of telegrams, one to my father to return immediately. He was given a bath, fresh clothes and a barber was called in to cut his locks. He was in a daze and looked almost lost. He didn’t even look into anyone’s eye. Like Kafka’s creature he seemed to have undergone metamorphosis – that’s what money, freedom and bad company does to a person, I was told. He was very ill and it was a daunting task to keep the room he was in sanitized and stench-free. Soon my Appa arrived and they took him to a renowned hospital.

What I got was only updates after that. His wife who he had abandoned had returned to his side to nurse him. His son was at his maternal home. My mother’s side was justifiably angry. This person had squandered off my Nana’s earnings, his antiques, personal museum, his honour and had disappeared leaving his mother and younger brother in penury. They had to sell off beautiful furnitures and move out with bare minimum essentials to a kind doctor’s garage-room – a move to one single room from a mansion must have been traumatic.

Well, coming back to our anti-hero. He needed rehabilitation and care. He was in hospital for months. He soon regained his charming persona and doctors who were treating him gave him a small job offer. In short his rehabilitation was a success.

They rented a small room in Ulhasnagar itself. Again, I was the only one who frequented it to meet my elder aunt. She too started working to make ends meet in a nearby hosiery factory(there was no dearth of those in Ulhasnagar). I went during day time to avoid meeting my uncle. I feared him, pitied him, but I still admired the way he was recovering. I understood he wasn’t trustworthy.

Maybe I admired his wife more than him. My mother, his wife – both could have turned him away or gone to the cops. They had legitimate grounds too – a case of cheating, fraud certainly. But grudgingly my Aai did what she could to help him recover and then told him straight – not to ever visit her. He kept the word. His wife was more magnanimous, she didn’t leave his side.

We left Ulhasnagar soon after. When I bid my Mami farewell, I couldn’t give her the forward address. He had not only been legally disowned long time back but emotionally disowned too.

I don’t know if he ever wanted to be in touch. I am told he is still in the same vocation attached with the hospital. I didn’t try to find him. He simply has strewn away parts of the puzzle I am trying to piece together – life of my Nana – his photographs, his antique collections. It all literally went up in the smoke and was downed with liquor I guess.

There has been a psychiatric diagnosis that explained partly why he indulged and couldn’t return home but one can’t deny the fact that he chose to indulge carelessly and irresponsibly. I often think, was it the tourists who came to visit Bijapur who gave him a reason to indulge and splurge? Was it a spin-off which Nana did not factor in?

It all happened long after Nana passed away, yet everyone I speak to, blames Nana for not being strict with his wayward son, lacking in business acumen etc. But then a creative photographer who followed Mahatma Gandhi around the country and was totally into conserving deccan cultural heritage, how could he be a full time watchful father?

Unfortunately, family wealth, heirloom and mental health of my mother and other family members never recovered. It remained an unprocessed trauma and we went on to inherit it partly.

I always considered alcohol and drugs as the true enemy. Though in social gatherings I did sip but fear always loomed large – what if ? That ragged man at the doorstep is still my most real worst nightmare.

Humanity

I see humanity cuddled on footpath
Dehydrated in summers
Shivering in winters
Tattered and battered
Seeking shelters

Oh, humanity, what a tender child
Staring with wide eyes!
Or at times a wrinkled face
With toothless grin
At times, a young girl
Bold and vulnerable

As we drive away
Avoiding the eye
And the sympathy
Humanity stares boldly
And walks away

We have our battles to wage
Days to face
And a future to create
Humanity has no place in it
We have learnt to look away

And Humanity?
Round the corner
Evil finds her and
scoops her in its arms
For it’s victory dance

We did not save her
Yet we lament
Triumph of evil
And death of Humanity

Evil did not kill humanity
It was our collective apathy!
We clinged to our survival
While our soul was killed!

Happiness on Discount

Have we become junkies
Addicted to hope and joys
Rainbows and silver linings
All things positive decoys?

We proclaim that
It is just
A matter of choice –
To be or not to be

How does it matter
If conflicts rage
Or forests go ablaze?

How does it matter
If someone is killed
Or incarcerated
For our rights?

They know
We enjoy cheap thrills
And discounted happiness
With easy EMIs on sale

How does it matter
If we are told to teach
Wrong facts or hate
Or fiction?

As long as happiness is
Prime and insta-delivered
Does it matter
If the planet is under threat?

They know we are junkies
Addicted to hope and joys
Rainbows and silver linings
All things positive decoys

Gambling away a future
We won’t be a part of?
Doesn’t it seem easy, quick
And affordable?

Shame

Shame

Perhaps it is easy
To violate
A woman’s body
And soul
And then walk with
Head held high
It is all done
To teach a lesson
To create fear

Perhaps it is easy
To plunder the earth
To dig out all
That is worth
And then walk with
Head held high
It is all done
For a profit
To create wealth

Will Earth save itself?
What about women?
Bilkis Bano is silent
Our silence is more deafening

We will rage
For Earth, for Bilkis
Yet they will
Walk free
Reign free

That is how it is
Dont ask why?
It’s reign of the
Shameless and inhuman
Emperor after all parades
In full nakedness and glory

How does one teach shame
To shameless tyrants?

#BilkisBano

Labyrinth

Trapped in the Labyrinth

It is often impossible
To get out the labyrinth
For the simple reason
You don’t feel trapped

It doesn’t seem what it is
You keep going onwards
While the labyrinth’s design
Takes you backward

Blame it on the design
Or the divine
There is no way to know
That it is a trap

You go in circles
Thinking it’s taking you forward
But it’s a spiral descent
To nowhere or maybe hell

You are happy
With the clever deception
Who doesn’t like
Illusion of happiness?

Who needs justice and peace
Happiness and prosperity?
The grand illusion of it all
Is fine enough

Why risk it all?
For which end?
It’s an endless
Labyrinth

Fatigued, fogged
You are simply happy
Forward or backward or circles
How does it matter?

Soon lifetime will be served
Labyrinth will be inherited
Baton will be passed on
The game will go on…

Designers will blame the divine
Divine will be part of the design
Truth will become a beautiful lie
And all lies will seem truthful

It’s an endless labyrinth
We need to navigate
To keep going
To reach nowhere or maybe hell

2034 – A Play Rooted in Dystopian Present and Future

Couple of years ago, I had taken a years break from work. I did many things which I wouldn’t have had liberty to do as a full time working teacher. One of things was – a week long course on History Of Indian Science hosted by Asiatic Society. Icing of the course (cake) was the grand finale – a theatre group called Mukhosh presented an anti-Superstition play – ‘Uncertainty of Principles’ ( ‘https://maddecadence.wordpress.com/2019/04/29/uncertainty-of-principles-a-brilliant-play-on-conflict-between-science-and-superstition/) in the historic auditorium of Asiatic Society. That’s when I first saw scientist duo Dr. Ayan Banerjee and Dr. Anindita Bhadra with their family on stage calling out superstition and astrologers through their brilliant play. 

Having been a fan of playwrights like Brecht whose famous play on Galileo still gives me goosebumps, I felt a great sense of relief to see scientists reaching out to society to spread awareness, to open their blindfolds which has been put cunningly by those in power. That play was a grim reminder of work and sacrifice of stalwarts like Dr. Narendra Dabholkar and many others.

While there are quite a few professional theatre groups in Kolkata who are putting up incredibly brave shows to call out fascism, autocracy, highly critical of state and central governments but what makes Mukhosh a little different is that it is literally a small home grown theatre group, none of them are professional theatre persons but are rather well established names in their scientific academic circles and they really don’t have to do anything additional for the society – as we are often led to believe that scientific contribution is one of the most gratifying one to the society.

But we often ignore that modern scientists rarely dare to call out societal, religious and political wrongs like their glorious predecessors – Copernicus, Galileo and many others (whom they admire) did, as much is often at stake. Prof. Ayan Banerjee, Dr. Anindita Bhadra are carrying forward the brave legacy by staging dystopian truth as a dark comedy and making a call for scientific rationality of thought and action.

Their second play 2034 which was staged yesterday at Academy of Fine Arts on the eve of the anniversary of their theatre venture is truly a commentary on dystopian current times.  Though the play backdrop is set for the year 2034, but I guess realities have accelerated fast beyond the expectation of the playwright.

It is a brilliantly scripted play about how an innocent magician couple’s famous stage act becomes their Achilles heel and they end up behind bars, framed to be anti-nationals by the fearful fascist government in power. I don’t want to give away the script but the way play unfolds as yet another show of the magician while breaking the fourth wall – involving the audience and ending in similar manner is quite innovative and engaging – making audience feel complicit and victim at the same time. It blurs the line between precarious predicament of protagonist and audience. Also, it ends on a mixed note as baton by legacy is passed on to the younger generation who are left to fend for themselves as society abandons them but the seed of creativity instilled by their parents holds a promise.

2034 addresses the important question as well – who are fearful ones here? We, the people of the government or is it really the other way around? Do fascists do what they do out of sheer mental fear psychosis – a fear of being called out and voted out of power? Are they so fearful that they wish to imprison any innocent who they feel is an perceptive, rational, gifted, thinking individual who can unmask their sinister blueprint? It also depicts how fear psychosis percolates when even neighbours, co-workers refuse to stand with the victims as media descends to hound them for the truth which has already been cleverly buried!

Kudos to Mukhosh, Ayan Banerjee, Anindita Bhadra and their family members for not fretting from holding the mirror to current times and calling out that ’emperor is truly naked and fearful’. Unfortunately, it is the audience/people of the republic which has been cleverly blinded.

Certain parts of the play did seem slow but I guess it was deliberate to build up the momentum for the end. Auditorium sound system needs a revamp. Academy of Fine Arts is undergoing renovations so one can hope they will improve infrastructure of the theatre as well.

Also, it was heartening to see many scientists and research scholars coming together to watch the play on a rainy saturday afternoon.

Looking forward for more such plays. These efforts truly are like proverbial straws of hope or silver linings – much required during current dark times which I guess will only become worse in future if we don’t act now.